Movies Detail of You Became I (2012)
✓ Title : You Became I
✓ Release Date : March 17th, 2012
✓ Genres : Drama, Action
✓ Runtime : 135 minutes
✓ Director : Bruce Harner
✓ Country : United States of America
✓ Cast : Kemo Coleman, Andrew Sensenig, GiGi Emeta
✓ Release Date : March 17th, 2012
✓ Genres : Drama, Action
✓ Runtime : 135 minutes
✓ Director : Bruce Harner
✓ Country : United States of America
✓ Cast : Kemo Coleman, Andrew Sensenig, GiGi Emeta
Synopsis of You Became I (2012)
In an apocalyptic world, dark forces lead the desperate yet powerful, to clone Christ from the Shroud of Turin; a top secret effort to bring peace. The project is thought to have failed, yet the child survives and rises to power in a new United World Order. Our story picks up after the war is over. Only a few remain resistant to the UWO. Jude Stone, among the best soldier's of the war, finds himself a displaced detective in the New America's Division of the UWO tasked with the elimination of all resistance. Particularly, the Christians blamed for killing his wife in a vengeful attack. Confronted by Christ himself, Jude discovers that he has been fighting for the wrong side and turns his sights on the UWO and the World President himself. Will he succeed in destroying the Collossus the UWO has become before it's too late?
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◈ You Became I Full Movie Online Malay Sub - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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