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Superstition (1982)


Movies Detail of Superstition (1982)

✓ Title : Superstition
✓ Release Date : August 26th, 1982
✓ Genre : Horror
✓ Runtime : 85 minutes
✓ Director : James W. Roberson
✓ Writers : Michael O. Sajbel, Brad White, Galen Thompson, Bret Thompson Plate
✓ Companies : Panaria, Carolco Pictures
✓ Country : Canada
✓ Cast : Maylo McCaslin, Albert Salmi, Kim Marie, Larry Pennell, Carole Goldman, Heidi Bohay, Lynn Carlin, Jacquelyn Hyde, James Houghton, Robert Symonds

Synopsis of Superstition (1982)

A witch put to death in 1692 swears vengeance on her persecutors and returns to the present day to punish their descendants.




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Superstition (1982)

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Superstition The Movies - Whimsical has to do with a sense of eccentric or quirky humor. Related styles exaggerate real life in a whimsical, eccentric, quirky or fanciful way, sometimes.

Superstition Full Movie Online Amazon Prime - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.

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Superstition Full Movie Free Watch Online 123Movies - A story about a giant monster, big enough to destroy buildings. Some such stories are about two giant monsters fighting each other, a genre known as kaiju in Japan, which is famous for such works after the success of such films and franchises such as Godzilla.

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Superstition Trailer Views In 24 Hours - Fantastic or non-realistic fiction that crosses conventional genre boundaries between science fiction/fantasy and mainstream literary fiction. The term slipstream was coined by cyberpunk author Bruce Sterling in an article originally published in SF Eye #5, July 1982. He wrote: "...this is a kind of writing which simply makes you feel very strange; the way that living in the 20th century makes you feel, if you are a person of a certain sensibility." Slipstream fiction has consequently been referred to as "the fiction of strangeness," which is as clear a definition as any others in wide use.

Superstition The Movie Full - Stories that touch upon the adversaries of Good, especially the "Enemies" of the forces of righteousness as expressed in any given religious philosophy. Hence, stories of devils, demons, demonic possession, dark witchcraft, evil sorcerers or warlocks, and figures like the Antichrist would qualify. The nature of such stories presupposes the existence of the side of Good and the existence of a deity to be opposed to the forces of Evil.

Superstition Hollywood Movie HD - A hybrid of other works of fiction combining the film noir and science fiction or cyberpunk genres such as seen in Blade Runner (1982) and The Terminator (1984). It is a form of Neo-noir concentrating more on science fiction themes. The term was coined in The Terminator[citation needed] as the name of a nightclub, Tech Noir. The director James Cameron wanted a name for the particular style he was invoking.

Superstition Full Movie Online Without Sign Up - exploits or requires as plot devices or themes some contradictions of the commonplace natural world and materialist assumptions about it. It includes the traditional ghost story. The Turn of the Screw by Henry James is an example of a work of literary fiction that is also largely concerned with supernatural fiction elements, making play of the possibility that they are psychological at root, but requiring the option that they are not for effect. The newer speculative fiction genres of horror fiction and fantasy fiction, growing out of some of the basic propositions and generic conventions, to a certain extent replaced it.

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